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Ian McEwan talks about imagining the world after disaster

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💥 Explore this awesome post from The New Yorker 📖 📂 Category: Podcast / The New Yorker Radio Hour ✅ Here’s what you’ll learn: Listen and subscribe: Apple | Spotify | google | Wherever you listenSign up for our daily newsletter to get the best of The New Yorker in your inbox.In his latest novel, Ian McEwan imagines a future world a century after the disasters. The good news in "What We Can Know" is that humanity still exists, which McEwan calls "nuanced optimism." He and David Remnick discuss the tradition of the big-themed social novel, which has fallen out…

A war “stopped” by Trump is worsening in Congo

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🚀 Check out this awesome post from The New Yorker 📖 📂 Category: Newsletter / The Daily 📌 Here’s what you’ll learn: The president announced It was a diplomatic triumph in the Congo, but when John Lee Anderson visited the country this fall, he found that a thirty-year-old war was still brewing on the eastern border. plus:In an unmarked cemetery in Goma, war survivors plant subsistence crops between the gravestones. Photography by Moises Saman/Magnum for The New Yorker Hannah Gosselin Newsletter editorWhen John Lee Anderson, Our famous foreign correspondent met the Bokomo king, at his compound in eastern Congo, this…

Offices that only a journalist could love

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🚀 Check out this awesome post from The New Yorker 📖 📂 Category: Culture / Photo Booth 📌 Main takeaway: There is something inspiring about an ugly building. I don't mean high-concept ugly, like the Brutalist tower, but a purely temporary and functional place, if barely any—the Meadowlands, the halls of the Knights of Columbus, your malls. These are pranks, however our Pranks. Among my dear dumps are old newsrooms. It was my first Trentoniana tabloid newspaper in New Jersey that is still going strong, although its former headquarters, where I used to work, now houses a gypsum supply company.…

How Noah Baumbach (The Return) fell in love with movies

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💥 Discover this awesome post from The New Yorker 📖 📂 Category: Culture / The New Yorker Interview ✅ Main takeaway: It was somewhere on a deserted highway in Ohio at about four o'clock I amWith a rain machine while I was filming "White Noise." I think I felt, God, I don't know that I like doing this. This movie was very difficult for me for several reasons. We shot through Coronavirus diseasewhich was a big part of it. It was a difficult time. I'm proud of the film, but it was very difficult to make. And then, when I…

Joan Silber on friendship in a broken world

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✨ Check out this must-read post from The New Yorker 📖 📂 Category: Books / This Week in Fiction 💡 Key idea: Your story in this week's issue, "Aman," is about two childhood friends, Nicole and Yasmina, whose lives diverge, then converge, then diverge again, and it is set against the backdrop of our increasingly fraught political moment. Did any of these items come to you first?I traveled to Uzbekistan last spring, and before I left I read that Stalin had ordered the evacuation of millions of Soviet citizens to Uzbekistan in the early years of World War II. For…

Tom Stoppard’s Radical Call | The New Yorker

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💥 Check out this awesome post from The New Yorker 📖 📂 Category: Culture / Postscript ✅ Here’s what you’ll learn: Rosencrantz and Guildenstern are dead, his 1966 Shakespearean theatrical mystery about third-rate characters grappling with their inexorable fate, and pervasive conversations about probability and comic boredom (“Life is a gamble, at terrible odds. If it were a bet you wouldn't take it”). He hit the stage like a comet. Even in the alternate reality in which Stoppard only wrote Rosencrantz, we would still be in the hole resulting from that masterpiece. Crucially, it demonstrated the scope and ambition of…

How potter Aleph Ebuzia Sisbe makes time-keeping vessels

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🔥 Explore this insightful post from The New Yorker 📖 📂 Category: Culture / Persons of Interest 📌 Key idea: It takes six to seven hours to build each bowl, using files that flatten them into thick strips. You begin a new series by drawing the shapes you have in mind, although the actual shape always emerges in the construction process; She says that clay is alive and resists its maker. When she moved to Denmark, she realized that the types of vessels she had been making until then did not translate well into the language of high-fired stoneware. She…

Jorie Graham talks about Elizabeth Bishop’s “At the Fishhouses.”

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🔥 Read this insightful post from The New Yorker 📖 📂 Category: Magazine / Takes ✅ Here’s what you’ll learn: On August 9, 1947, The New Yorker He devotes nearly an entire page to one of the greatest poems of the twentieth century. “In the Fish Houses” by Elizabeth Bishop represents, after the high modernism of Eliot, Yeats, and Pound, a break toward a more personal vernacular. It is also a work of imagination, showing how a solitary soul can descend into the heart of life and matter and achieve solace and spiritual insight, however temporary. It confirmed the emergence…

Aladdie Review – Rags to Riches Panto is a fun and enchanting journey | Bantu season

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🚀 Check out this awesome post from Culture | The Guardian 📖 📂 Category: Panto season,Stage,Culture,Theatre 📌 Key idea: WWho needs a flying carpet when you're taking the bus to Maypole? The climax of Fraser Boyle's hilarious scene comes when Abanazar (Gavin John Wright) leaks the location of his not-so-secret hideout and goes after the rest of the cast. On public transportation. On the movie. Outside broadcasting has never been so funny.Not that the villain has much of a chance: after stealing the magic lamp and summoning his four genies (in a grand show of community engagement, the cast outnumbers…

The Little Mermaid review – a fantasy musical with touches of magic and mysticism | Musicals

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🔥 Check out this insightful post from Culture | The Guardian 📖 📂 Category: Musicals,Stage,Culture,Theatre,Watermill theatre,Hans Christian Andersen,Folk music 📌 Main takeaway: CChristmas has gone underwater for 2025, with productions of The Little Mermaid in Nottingham, Hull and Newcastle. This show, at the Watermill, is presented in the theatre's signature actor-musician style, with the text illuminated by cheerful live folk music played on stage. There's even some snow thrown in for a good celebration.The story is transported to Cornwall in this short but sweet adaptation by Elgeva Field and Lara Barbier. Following the basic structure of Hans Christian Andersen's original,…