Discount: Desaceleradas Review – Afro-Latin Club Looks Slowing to a Seductive Crawl | music

MMexican-American producer Delia Beatriz, also known as Debette, has a knack for creating her own historical sounds. Her 2022 breakthrough, The Long Count, featured distorted ambient soundscapes made from electronically processed samples of ancient Mayan flutes. On her latest record, Desaceleradas (Slowed Down), Beatrice turns her attention to the ’90s punk trend. Cumbia rebajada. Slow down type of Afro-Latin dance Cumbia In a monotonous rhythm, Cumbia rebajada is a dub-influenced take on an upbeat, party-driven sound. DJ Gabriel Dueñez popularized the style through his cassettes. Two of his first publications now form the basis of the Beatrice Experiments.

Landing somewhere between composer William Basinski’s Disintegration Loops and DJ Screw’s chopped-up production style, Desaceleradas slows down the annoying synths. Cumbia rebajada To an unrecognizable surrounding area. La Ronda y el Sonidero and Vinilos Trasnacionales contain hints of signature Cumbia The synth melody is elusive and elusive, but Beatrice’s added bar hiss, reverb and melodic distortion transform the style into a strange, ethereal sonic world of nightmarish fairground music and drones.

Far more than an academic exercise in slowing down material to the lowest possible beats per minute, Beatrice’s arrangements force us to focus on the innate strangeness of the present moment. In Bootlegs, the single synthesized note becomes long and harshly artificially distorted. Cholombia, MTY highlights the tonal dissonance created between the notes of the slow-moving melody and Los Balleza rings out with a dissonant frequency.

Beatrice’s careful dissection of the sounds means that they are constantly changing, creating a sensation equivalent to seasickness. This turbulent quality is the opposite of the meditative atmosphere in the background. Instead, in Desaceleradas, Beatriz performs a remarkable feat, showing how slowness and precision can contain as much dread and discomfort as chaos of noise.

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