Life in the Four Seasons Review – Dancers of all ages have a spring in their step | Dance

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📂 **Category**: Dance,Stage,Culture

💡 **What You’ll Learn**:

IIt was a wonderful idea: a dance through the four seasons of life, with performers ranging from spring to winter, in a reimagining of Vivaldi’s four seasons. salary. It’s amazing to see older dancers who can bring all forms of their experience to the stage. But the thing with so many actors, who all specialize in different styles, is that the dance ends up somewhere in the middle: everyone can do it but it doesn’t suit anyone’s strengths. The movement falls into territory moderately influenced by street dance, and is bound by a basic 4/4 feel. When you catch a glimpse of a dancer’s signature — say, the great Michael Naylor breaking down in the club scene — you think, “Oh, that’s what we’ve been missing.”

The choreography is by American Alexandra Sarmiento, who works mainly in musicals and as an action director in theatre, along with director Tinuki Craig. The setting is a trio of dancers for each season, always dressed in blue, pink and orange, who we realize represent a person’s head, heart and gut, although this is not initially obvious. The set has boxes stamped “HEAD”, “HEART” and “GUT”, but (to me, anyway) it wasn’t clear because that didn’t seem related to dancing.

Photo: Helen Murray

For the soundtrack, Vivaldi was chopped and chopped by DJ Walde, known for his funky hip-hop music for ZooNation Dance Company. In 2012, composer Max Richter undertook his own genius rewrite of the song The Four Seasons, which has since been used endlessly in dance, and performing the same piece is a mountain of a challenge. Walde’s version basically adds some great percussion along with the strings. At some key points, like the club scene, Vivaldi is reduced to a sample and the beats take over, and suddenly everyone feels more comfortable in their comfort zones.

Ultimately, there isn’t a strong enough sense of story, character, or purpose to carry this show through. It is great that Regent’s Park has committed to commissioning dance, to demonstrate to the general public that dance does not have to have songs or a script to be great theatre. But if you want to convert people, it has to be really good.

At the Open Air Theatre, London, until 14 June

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